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・ Raman Ethanai Ramanadi
・ Raman Ghosh
・ Raman Hrabarenka
・ Raman Hui
・ Raman Jaraš
・ Raman Kalyan
・ Raman Kirenkin
・ Raman Lamba
・ Raman laser
・ Raman Mahadevan
・ Raman Makarau
・ Raman Malhotra
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・ Raman Mehrzad
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Raman Mundair
・ Raman Munjal Vidya Mandir
・ Raman oil field
・ Raman optical activity
・ Raman Osman
・ Raman Parasuraman
・ Raman Parimala
・ Raman Patrick Sisupalan
・ Raman Piatrushenka
・ Raman Pratap Singh
・ Raman Prinja
・ Raman Raghav
・ Raman Railway Station
・ Raman Ramanau
・ Raman Research Institute


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Raman Mundair : ウィキペディア英語版
Raman Mundair

Raman Mundair is a British poet, writer, artist and playwright. She was born in Ludhiana, India and came to live in the UK at the age of five. She is the author of two volumes of poetry, 'A Choreographer's Cartography' and 'Lovers, Liars, Conjurers and Thieves' – both published by Peepal Tree Press – and 'The Algebra of Freedom' (a play) published by Aurora Metro Press. She edited 'Incoming – Some Shetland Voices' – published by Shetland Heritage Publications.
Mundair was educated at the School of Oriental and African Studies, University of London and has performed readings of her work at numerous diverse venues in the UK and abroad. Raman's work has been widely anthologised and received excellent reviews in publications including The Independent, The Herald, World Literature Today and Discovering Scottish
In 2013 and 2014 Raman was a Leverhulme Artist in Residence for Shetland Museum and Archives〔http://www.shetlandamenity.org/the-incoming-project〕 and one of seven writers from Shetland and Orkney, participating in the University of Edinburgh’s ‘Writing the North’ project.〔http://www.writingthenorth.com/dialogues/rose-of-the-rock/〕
Raman was chosen as one of two British writers to participate in the Word Express, Literature Across Frontiers project. Word Express took 20 young writers from 12 European countries by train through South-East Europe to Turkey, where they took part in readings and literary events in every country they passed through and then took part in the Istanbul Tanpinar Literature Festival and the Istanbul Book Fair).〔http://www.word-express.org/travel-blog/ramanmundair/〕
In 2008 Mundair was nominated for the prestigious Rolex Mentor and Protégé Arts Initiative. In 2008 Mundair won a Robert Louis Stevenson Award and became a Robert Louis Stevenson Fellow at the Hotel Chevillon in Grez-sur-Loing, France.〔http://www.scottishbooktrust.com/writing/scottish-book-trust-training-awards/the-robert-louis-stevenson-fellowship-2014〕 In this same year she was invited to become Scottish Poetry Library Poet Partner for East Dumbarton.
In 2007 she was awarded the highly sought after Arts Council England International Fellowship at the India International Centre in Delhi and in 2006 Mundair was runner up in the Penguin Decibel Prize for Short Fiction.
Raman has been Writer in Residence in Stockholm, New Delhi, Glasgow and the Shetland Islands and has represented The British Council as a writer, workshop facilitator and performer internationally. She is a sought after facilitator of creative writing workshops and her client list ranges from schools and universities to the British Council and Amnesty International. Raman is a member of Scottish PEN.
As a playwright Raman was awarded a mentorship with the Playwrights Studio Scotland in 2005.〔http://www.playwrightsstudio.co.uk/resources/mentoring-programme/past-participants.aspx#.U5m1BygtpI0〕
In 2007 her play ‘The Algebra of Freedom’ was produced to great acclaim by 7:84 Theatre Company and in 2006 she collaborated with the National Theatre Scotland and Òran Mòr – A Play, A Pie, A Pint on 'Side Effects', a one-act play, which went on to tour Glasgow, Edinburgh and Dublin.
Raman was one of the 24 writers chosen by the Royal Court Theatre and the BBC in 2008 for their 24 Degrees project which nurtures and develops work by the 'next generation of promising new writers in Britain.’
As an artist she makes work that represents text and narrative in a visual form. She has collaborated with artist Pernille Spence, filmmaker, Lotta Petronella and new media artist Sean Clark. Her work has been exhibited at Shetland Museum and Archive, the Gallery of Modern Art Glasgow, City Art Gallery, Leicester and the Kevin Kavanagh Gallery, Dublin.
In 2011, as part of her Leafing the Green writer's residency, she was commissioned by Aberdeen City Council to create the Secrets of the Green – an interactive poetry plaque installation on the Green in Aberdeen city centre.〔https://www.facebook.com/media/set/?set=a.591166214232922.151525.226975953985285&type=3〕
In 2008 Raman was invited to read at the Scottish Government EU office in Brussels and gave the ‘reply to the lads’ speech at their official Burn’s Supper. She was identified by a national literary survey of Scottish writing as being an exciting, new rising literary voice (Discovering Scottish Literature – A Contemporary Overview, 2008).〔http://www.scotland.gov.uk/Topics/International/Europe/Our-Focus/Brussels-Events/Brussels2008〕
The Independent newspaper wrote in a review of her work "Raman Mundair is a rare breed: a poet whose writing works on the page and the stage. Her readings reveal the secret music of the poem… Mundair is literature at its best: thoughtful, provocative and sharp."''
Raman Mundair’s poetry can be contextualised as part of the pioneering contemporary Black British poetry scene that includes Patience Agbabi and Dorothea Smartt, both of whom read at the Barbican Centre (London) launch of Mundair's first collection of poems 'Lovers, Liars, Conjurers and Thieves' in 2003.
Mundair writes across genres: poetry, prose and plays. Her writing is iconoclastic, challenging and political in nature but rendered with a keen sense of poetics. She has described herself as an ‘outsider writer’ and that she has come to appreciate her various states of ‘unbelonging’ as they allow her to transcend the limits of boundaries and choose to ‘belong’ anywhere.
Mundair’s poetry has tackled varied themes including the deaths of Stephen Lawrence and Ricky Reel, the Iraq war, domestic violence, sexuality, gender, migration, immigration and the idea of ‘hidden histories’: where she imagines Queen Victoria’s relationship with her Sikh man servant, India maid servants in British India and Indian soldiers in the trenches during World War One. Equally she writes sensitively about intimacy, loss and the small, quiet but significant moments in life.
Mundair’s poetry is multi-lingual and although the primary language is English, she uses Punjabi, Hindi, Urdu and Shetland dialect to create an inter-textual narrative within the poems – something that she refers to as ‘windows into worlds within worlds within worlds’. Her work also flirts with traditional form and structural constraints. Mundair writes poetry that she says is designed to work on the page as well as to be performed on the stage.
Mundair’s work for theatre is often philosophical and political, engaging and questioning. Recurring themes include loss, faith, loyalty, redemption and compassion.
==Early life==
Mundair was born in Ludhiana, Punjab, India and migrated with her Mother to Manchester, England in the 70s. She is a first generation British Asian but resists pigeon-holing saying that she refuses to "reduce my identity just so that binary minds can read me." She lived in Manchester until she was fifteen and then moved to Loughborough (UK). She left the East Midlands (UK) to study History at the School of Oriental and African Studies, University of London.

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